Tech 21 SansAmp Character VT Bass DI

First thing you notice, when you unbox this pedal is how it is build. The housing is a strong piece of metal. The knobs are not wobbly, no issues with a switch. Generally, reliably built.
With this pedal you can achieve a wide variety of sounds, mainly due to the "character" knob. Set around 9 o'clock you get nice, warm sound, similar to the Ampeg amps, while going further clockwise gives you aggresive, distorted, more treble oriented tone. However, the distorted sound on a low setting of character knob, is not to pleasant for my ears, it seams weird, but it can be just my impression. On the other hand, the higher setting of the character knob enables you to get nice hi-gain sound. Anyway, I think that the pedal really shines on a clean setting, when you can get fantastic, warm sound. To conclude- nice and versatile, no matter if you want to get a vintage sound or a metal hi-gain annihilation, you can achieve it.

So, the overall pluses are:
- Versatile palette of great tones
- Strongly built
- Reasonably priced for a preamp of this quality
Drawbacks?
- Drive on some setting could be a bit better

It's definitely my go-to pedal. Always on. Makes my bass sound better

The pedal offers a broad range of vintage sounds, from clean to high gain. It feels sturdy. The coloured DI is very useful in live situations.

I would have preferred the in- & outputs at the top instead of at the sides, partly because it is not the last pedal in my chain. The noise level at high gain settings (character and drive past 12 o clock) makes me want to run it through a noise suppressor.

The knobs are sensitive: a small adjustment can change your tone quite a bit. Choosing a different kind of tone requires adjustments on several knobs, which is not very intuitive and make quick changes tricky. The knobs turn easily: quite often by accident. It is hard to remember settings with this many knobs.

At most settings, playing with my active bass with bridge humbucker, lower notes are distorted more heavily.

After a few weeks of recordings, gigs and rehearsals, I can honestly say: this is a very serious bass tool.

I use it in gigs as a direct box - on bypass, it delivers a very high quality direct signal, which is cool. But the true wow moment is when it's on. The majority of the gigs are played with no amp, monitored with in ears. What this box does to my tone is unbelievable. With the character knob between 9 and 11 o'clock and speaker simulator engaged, the high frequencies never sound metallic or clicky. The low end is huge, up to the point they need to be cut with the EQ. The drive adds more character, and together they deliver a huge tone. Fingers, pick, thumb, slap, it all sound much much better than a simple direct signal. This box does exactly what it's designed to do, and nothing less.

In recordings, I use it as an overdrive, in parallel to the clean signal. With the character knob turned above 2 o'clock, it delivers a real bad ass drive, which is very dynamic, touch sensitive and rich in harmonics. it's recommended to blend in the dry signal in that application, simply because the lows decrease dramatically with the character knob beyond the 12 o'clock position.

In rehearsals, I use it as a preamp, in any room that has an amp that I don't like its tone. I just connect it to the power amp input - and suddenly I don't hate the tone! If the room has a good amp (such Mesa Boogie/Ampeg all tube classics), I use the box as an extra drive, blended with the dry signal.

If I want a more "vintagey" sound for things like old school funk etc. the character knob just above the 12 o'clock position and a healthy amount of drive gets me there very quickly.

It's hard to believe how versatile this box is.

I never leave home without it.