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Analogue Semi-Modular Paraphonic Synthesiser

  • 2 VCOs
  • 2 Multi-Mode VCFs
  • 2 VCAs
  • 4 Envelopes
  • Wave Folder
  • Paraphonic mode for independent control of both oscillators for multi-tembral sounds
  • Analogue signal path
  • Dual oscillators with 5 waveforms, oscillator sync, pulse width modulation and sub-oscillator
  • Patch panel with 40 inputs and 24 outputs with 3.5 mm mini jacks
  • Can be installed in Eurorack housing (width 80 HP)
  • Line input: 6.3 mm jack
  • Line output: 6.3 mm jack
  • Stereo headphone output: 6.3 mm jack
  • MIDI In / Thru
  • USB 2.0
  • 64 Patchbay inputs and outputs: 3.5 mm mini jack
  • Dimensions: (W x H x D): 424 x 94 x 136 mm
  • Weight: 2.0 kg
  • Produkt dostępny od Sierpień 2024
  • Numer artykułu 596518
  • Jednostka sprzedaży 1 szt.
  • Design Desktop
  • Polyphony 1
  • Sound Generation Analog, Synthesis
  • MIDI interface 1x In, 1x Thru
  • Storage Medium None
  • USB-port Yes
  • Effects Yes
  • Arpeggiator No
  • Number of Analog Outputs 1
  • Digital Output No
  • Display No
  • Optional Expansions 0
  • Special Features semi modular, Eurorack compatible
1 390 zł
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1

20 Oceny klientów

4.5 / 5

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17 Opinie

E
Proton Big sound
Erskyy 28.08.2024
Perfect analog, big sound and experimental creative maschine. If you want recreate posibilities in Eurorack you have to pay 3 times more.
Knobs working hard and its one problem
indicators are wipe out.
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google translate gb
Wystąpił błąd. Proszę spróbować później.
D
Two Issues but Great Synth
DeeYellGee 01.09.2024
So the two issues first:
* My synth did not come with a US power adapter. I have lots so I plugged it in with the one from my old Neutron...
* It did not power up, so I opened it up and saw that the ribbon cable from the daughter board was completely disconnected from the main board. Simple fix and it started up.

So I am not sure whose fault that is but I was glad I could avoid returning it.
Once it was running, my experience was all positive.

The dual filters is a dream come true, especially paired with dual LFO's and dual looping ASRs. I love the multishape LFO/OSC with morphing control. I don't know why the default is to step them, but once that was set up properly, I am getting so many great complex musical sounds. It even has dual VCA's which offers some interesting ideas for a stereo path (VCA2 is normalled to the output of the VCF2 with VCA1 handling a mix. Simply using them as a stereo pair, you can have two different filters in parallel.

Missing are the excellent bucket brigade delay, sample and hold, and overddrive, but the additions allow for a richer set of sounds than the Neutron, (and I still have those features in my OG neutron... along with a stupid amount of eurorack modules).

I consider an instrument worthwhile if playing it helps creativity and performance. My experience in a few days of use is two new songs based on patches I came up while exploring.

tldr; The synth is great. The quality of the unit including power supply and detached daughter board was disappointing and could create real struggle for a novice.
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google translate gb
Wystąpił błąd. Proszę spróbować później.
B
Try feedback!
Bromann 08.10.2025
Great and versatile semi modular synth! Make sure you try feedback routing to get the most out of it. Send the output into EXT IN, crank up EXT Level, and mess around with the wavefolder. Send it through one of the attenuverters to experiment with negative feedback instead.
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google translate gb
Wystąpił błąd. Proszę spróbować później.
E
Great and complicated mono synth
Evgeny1123 18.12.2025
The best mono module I could find.

I can see why it's more expensive than polyphonic pro-800 - all the patch sockets, buttons and leds cost money. The lights look fantastic in darker room.

The unique feature is double signal chain of separate VCFs, VCAs and LFOs. But some secondary utilities are limited: there is no separate output for noise, no sample&hold, no separate volume control for the oscillators, no effects.

Each oscillator has a "sub-oscillator" which is a configurable oscillator exactly one octave lower, and it can not be turned off completely using device's controls. The knobs can only make them quieter. That was confusing when I watched wave shapes. The external software is necessary to turn them off.

The manufacturer packed too many features into a small box which make it a bit unintuitive. Reading manual is absolutely necessary: the routing and modulation logic is not obvious from front panel, and there are essential hidden key combinations. Thankfully, there is some good guidance on youtube.

For comparison, the 2600 is on another spectrum of design approach: large, easy an self-explanatory interface, more utilities, but has fewer main components.

The hardware quality is perfect, the knobs are solid. The sound is as expected. No regrets, I wish I had more time to explore and experiment.
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