DBX Driverack Venu360

Il prodotto è arrivato già con un difetto... praticamente all'improvviso anche se il dbx è acceso non trasmette più segnale e bisogna spegnerlo e riaccenderlo per far si che ricominci a funzionare. All'inizio il difetto si presentava raramente per poi manifestarsi man man più di frequente arrivato al punto che per farlo partire dovevo accenderlo e spegnerlo ripetutamente tante volte. Trovo sia vergognoso che un prodotto di questo livello arrivi già difettoso per non parlare dell'assistenza che fin ad ora non mi ha dato ne spiegazioni e ne delucidazioni a riguardo. totalmente sconsigliato!!!

Tired of the time needed to equalize correctly the venue room ? Try the Venu360 : Connect it to an RTA-M microphone (to be purchased separately), and within a few minutes, you have quite a decent room EQ ready!
The configuration is versatile and complete, it suits easily different FoH/subs/monitors installations. It saves two effects slots on the FoH console by having the final GEQs built-in. It also includes limiters (just in case) and excellent feedback suppressors. I located this device in my scene-side 19" rack (it takes only 1U) and drive it remotely through Wi-fi using a D-link adapter.
Two comments however : first, this device could cause more problems for beginners than it is solving, the front panel interface is not obvious to understand and the architecture may be quite complex to master fully. And secondly, I would have preferred 4 inputs in place of 3 (like the DBX 480, but I could not find it in any shop ?), in order to have two FoH channels and two different scene monitor mixes, not only one.
All in all, after using the Venu360 for a few months in quite different venues, from 100 to 2500 places, I encountered no problem and I am quite satisfied with it.

Addendum: After three years of use, I decided to buy a second unit, in order to be able to have more that one scene monitors circuit. Using one Venu360, you have three inputs and six outputs: therefore, you may only have the stereo FoH plus subs and one mono scene monitors circuit.
I see that I do need separate scene monitors mixes for the choir and for the soloists or director, so having a second unit will allow this. Unfortunately, the delivery delay is more than three months now, I would love having the second unit available today !