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Harley Benton CLG-650SM-CE VS SolidWood

4.6 na 5 gwiazdek z 47 ocen klientów ()

Gitara akustyczna z litego drewna z przetwornikiem

  • Typ: Grand Auditorium z wycięciem weneckim
  • Top: selekcjonowany
  • Ożebrowanie: Scalloped X-Bracing
  • Korpus i podłokietnik: lity, selekcjonowany mahoń afrykański klasy A
  • Szyjka: okoume
  • Podstrunnica: HPL
  • Inkrustacje na podstrunnicy: kropki z masy perłowej 6 mm
  • Konstrukcja: Dovetail
  • Profil szyjki: C
  • Promień podstrunnicy: 400 mm
  • Menzura: 650 mm
  • Szerokość siodełka: 43 mm
  • Progi: 20
  • Binding drewniany
  • Rozeta: abalon
  • Mostek: HPL
  • Siodełko i wkładka mostkowa: kość
  • Inkrustacje na główce: Perlmutt Split Rhombus
  • Pręt regulacyjny: dwustronny 400 mm
  • Kołki mostka: kropki z masy perłowej
  • Klucze zamknięte WSC DLX
  • Układ przetwornika HB-03 z wbudowanym tunerem
  • Struny fabryczne: D'Addario EXP-16 .012 - .053
  • Kolor topu: Vintage Sunburst Ultra, wysoki połysk
  • Kolor korpusu: naturalny
  • Pasujący futerał: art: 250337 (nie jest częścią oferty)
  • Produkt dostępny od Czerwiec 2025
  • Numer artykułu 461146
  • Jednostka sprzedaży 1 szt.
  • Design Grand Auditorium
  • Top Solid Mahogany
  • Back And Sides Solid Mahogany
  • Cutaway Yes
  • Fretboard HPL (High Pressure Laminate)
  • Nut width in mm 43,00 mm
  • Frets 20
  • Pickups Yes
  • Colour Sunburst
  • Case No
  • Incl. Gigbag No
1 399 zł
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47 Oceny klientów

4.6 / 5

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37 Opinie

JL
Big Sound
Jerry Lo 13.09.2021
Wonderful guitar with all solid wood parts / except fingerboard made of composite /. Big sound - to get all rich sounds pallette You must find right strings. I use Ernie Ball EartWood or Aluminum Bronze 11-52
Only bad thing - pickguard - QC - why?
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Wystąpił błąd. Proszę spróbować później.
S
Almost Great
Snag66 30.11.2019
This was my 8th HB guitar ordered from Thomann, and certainly the most expensive. That being said, I had high expectations that this guitar would my best purchase yet, and would require very little “correction” right out of the box. Other HB purchases usually needed small adjustments in intonation, string height, fret end dressing, or truss rod adjustment. Let me first say that the delivered CLG-650-CE VS is an absolutely beautiful guitar, with wonderful tone. It is well crafted with above average HB hardware. It does, however, have one glaring flaw- as delivered it had the absolutely worst fret treatment that I had ever seen. When trying to perform even a minor string bend, the strings actually catch on the frets, and the sound emanating when trying to bend a note sounds like fingernails running across a chalkboard.
I will have to turn this over to an experienced luthier because I think that trying to polish frets that are in such poor condition is beyond my capabilities. I had considered returning the guitar, but frankly, I’d rather not go through the hassle, and I believe that once the fret issues are resolved by a luthier, I’ll be completely satisfied.

Summary:
PRO- Beautiful guitar, great woods, fine craftsmanship, better than average hardware, and good initial setup.

CON- Terrible fret work- should have never passed QC.

Note.... I also need to mention that you must remove the guitar strings to replace the battery for the preamp. Ughhhhh!
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Wystąpił błąd. Proszę spróbować później.
T
Wow, how do they do it?
Toodle 16.10.2026
This is my third Harley Benton acoustic. I was already impressed by how much guitar you get for the price of a basic, all-laminate Yamaha, which left me curious to see how their higher-end models fare. It arrived today and hasn't disappointed.
The finish is excellent—thin enough to let the wood grain show through—with zero blemishes or assembly gaps. The setup details are spot-on: the action is right where it needs to be, and the frets are level with smoothly dressed ends. The bridge and fretboard use HPL, which surprisingly doesn't detract from the looks at all. Both the nut and saddle are cleanly cut, and the intonation is close (an easy tweak). The tuners feel smooth with no play, though fresh strings mean time will tell. Looking inside, the craftsmanship holds up with no excess glue and neatly fitted X-bracing with proper joint work.
Tone-wise, it has a lovely, balanced warmth—mellow without turning muddy, and clear without being harsh, backed by a strong midrange. The HPL fingerboard and bridge don't seem to negatively affect the acoustic resonance at all, and it’s very touch-responsive with great harmonics and sustain. This is a keeper that genuinely punches above its weight. Having played Martins, Taylors, and Yamahas in the £700–£1,000 bracket, this matches or beats them.
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Wystąpił błąd. Proszę spróbować później.
m
CLG-650SM-CE VS
micoli 19.08.2020
A lovely sounding guitar with a a comfortable armrest built in. The action was lowered by me by sanding the saddle and the action plays great.
Only 2 little niggles. The first was that the fret marker dots were black and indistinguishable from the fret-board in low light. I painted some white dots with acrylic artists paint to get around this. The second is that the battery compartment is inside the sound-hole and is Velcroed to the base of the neck Not only is it a real pain changing the battery as the all the strings need to be loosened to get my hand in, but also the Velcro has become unattached, (presumably I didn't push it back on tightly enough), and the battery is now hanging loose inside the sound-hole and I can't be bothered to loosen the strings to put it back. To cure this, I've ordered a battery compartment that will fit on the base of the guitar, although it will need cutting a hole into the guitars base near the strap pin.
It's a well made guitar with a good clear and mellow sound. Well worth the money.
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